Lockers

Lucy Gunther

Lockers is an interactive art installation that targets the problem of gun violence in schools in the 21st century. It is composed of 226 small wooden lockers. Each is dedicated to a person and has a LED backlit black and white abstract picture and stenciled information (name, age at death, school of death, and personal information like some of their interests). Lockers is honoring the memories of the lives that were unjustly taken, sending the message that gun violence in schools occurs too often and takes too many innocent lives.The goal is to reach gun rights supporters in the hope that when they see these victims as actual people who had incredible potential, and not just as another statistic, they will be inspired to push for stricter gun control laws. As viewers you can go up and open each locker and discover the story of a life that is no longer with us and have time to reflect on the effects of gun violence.

Lockers

Lucy Emerson

Lockers is an interactive art installation that targets the problem of gun violence in schools in the 21st century. It is composed of 226 small wooden lockers, each dedicated to a person whose  black-and-white abstract picture and stenciled information (name, age at death, school of death, and a few interesting facts that makes them unique) are backlit by LED lights. Lockers honors the memories of the lives that were unjustly taken, sending the message that gun violence in schools occurs too often.The goal is to reach gun rights supporters in the hope that when they see these victims as actual people who had incredible potential, and not just as another statistic, they will be inspired to push for stricter gun control laws. As viewers you can go up and open each locker and discover the story of a life that is no longer with us and have time to reflect on the effects of gun violence.

Brief

Will Brown
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Projection Description:

Mirrors, a piece of art to reflect just how many refugees you don't see.

Millions of Syrian refugees are scattered all across the globe. While the United States has admitted just over 10,000 of them, Germany has taken in over 400,000 thousand, and over 4.8 million refugees have fled to countries including Lebanon, Turkey, and Jordan. The recent ban on Syrian refugees to the US has only made the sitaution worse. American leaders must understand that even though the US has taken in refugees in, they really have not done enough. There is too much needless suffering, and people must immerse themselves in this topic to truly understand what needs to to be done. 

Our project is an installation that will raise awareness about how many refugees the US has taken in, compared to how many that still need somewhere to go. Our project is built to be mostly submerged underground. We hope to place it in a public area, like a tree box, or flower pot. The top of our project just surfaces, and inside you can see a few refugees. This is there to represent how many refugees we have in the US. It will intrigue viewers to take a look closer. After all, why would there be something like this in a tree box? Once they take a step closer, and look into the installation, they will see an infinite amount of refugee figures. This will strike the viewer to think about just how the US is not doing nearly what they could do. We are able to get there to be an infinite amount of refugees below the surface by using a mirror system. The mirrors reflect the image of the refugee an infinite amount of times so it can really shake the viewer. We originally based this off of the idea of an iceberg. Although they already look huge above the water, that's only about 10% of what it really is. The other 90% lies below the water. We hope that this installation can affect the viewer to really take time to think about the refugee situation in America. There is so much more that can be done, and we hope that this mindset can find it's way into everyone!

- Will

Juxtapose

Teju Kim and Tiandra Ray
exhibition thesis.001.png
Isabel's Brief
A collection of three exhibitions showcasing wearables custom-designed for three individuals, in order to provide viewers with perspective as they become immersed in the personalities of people with disabilities.

This exhibition aims to improve accessibility for and inclusiveness of people with a range of disabilities by providing enabled people with perspective and understanding surrounding disability. The wearables exhibited were designed for three dancers, Krishna, who is blind, Tiffany, who has Jarcho-Levin Syndrome, and Jerron, who has cerebral palsy that affects the left side of his body. The exhibits for these wearables do not directly state their conditions, which gives each one a more mysterious, unique feel. Krishna's wearable is shield because she always wanted to shield and protect people, especially to help them feel comfortable when stepping outside of their comfort zone. Tiffany's is called the sunrise because she has a big, bright personality despite being very short because of her condition. Jerron's wearable is called the Spatial Expander because he always felt like he was put into a "box" by society because he is disabled. He wants to show people that he is capable of doing more than they think he can.

Teju's Brief
A display of costumes that are custom-made to represent the personalities of three dancers with disabilities.

The Juxtapose Exhibition displays three wearables made for three individual dancers so that the viewer can experience what the dancers feel during moments of struggle and their feelings of happiness when dancing. Jerron and Tiffany are both a part of Heidi Latsky Dance, a dance company that has both abled and disabled dancers. Jerron has Cerebral Palsy that affects the left side of his body and Tiffany has Jarcho Levin Syndrome, which is a genetic disorder that causes bone malformation in the spinal cord and ribs.The third dancer, Krishna, is based in New York and is almost fully blind.  Each wearable has its own unique display deeply influenced by each dancer's personal traits. That includes tunnel-like structures, walls, quilts, different colored lights and the piece itself. Jerron often felt that as a child he never had any space, so he had to make it for himself so he wanted his wearable to take up space. The Spacial Expander is inside of a tunnel that the visitor has to walk through. The tunnel is made up of several different shaped doorways to make the participant feel uncomfortable and confined. At the end of the tunnel is a light, spacious cloth "room" where the wearable is displayed. Tiffany has a very large and bright personality who loves the sun. The Sunrise display showcases a small figure of her wearing the Sunrise wearable against the wall. Infront of the figure is a light that glows in a sun shape with a large shadow of Tiffany in the center to represent her bright personality.  And Krishna makes quilts and gives them out to the community, and tries to shield others. Krishna's wearable called the Shield. The wearable is displayed in a hallway covered in black and white hexagonal quilts.   The displays create an experience that visitors can walk through and interact with. With the hope that visitors will leave with an understanding of the difficulties, the dancers face and overcome.



Ava Rizika's Brief:

A display of custom-designed for three dancers, portraying each dancer's disability and personality.

The In:Accessible Exhibition displays projects that were designed for 3 three dancers, each of which have a with physical disability disabilities.: Jerron has cerebral palsy, Tiffany has Jerko Levin Syndrome, and Krishna is blind. Each dancer's exhibit focuses in on their personalities, disabilities, and hobbies and incorporates these elements into the display of the costumes . Jerron, who has cerebral palsy, often feels like he feels limited by people's assumptions about him because of his disability. Dancing frees him from this feeling and shows people that he can do what fully abled people can do.Tiffany, who has a shortened torso due to Jarcho-Levin Syndrome, which means that she has no torso, is a strong woman who is incredible to talk to because of her big personality that fills up a room. She loves nature, especially the sun, and says that she gets her energy from the sun's rays.  Krishna, who is blind, will often run into things, and isn't able to avoid that run into her, so sometimes she feels that she needs a protective shield. Although she does not have a shield, In turn, she tries to act as one for protect others in the community, she does this by weaving hexagon print blankets and giving them to people, and by helping people pursue their dreams.


When the visitor looks at Jerron's exhibit, they will see a spacious rectangular cube. When they walk inside they will have the illusion that the hallway is much tighter than it actually is, and will feel claustrophobic. The hallway opens up to a larger room that displays the costume, to show that dancing frees Jerron from the constraints of disability. This shows dancing helps jerron to feel like his disability isn't holding him back. The dancer Tiffany loves the sun, so in her exhibit, a big circular light shines on the wall and casts the shadow of a cutout of Tiffany in her costume inside the "Sun." For Krishna,  a  hallway with walls that are made from fabric with hexagons on it symbolizes the quilts she makes for people in her community. When the visitor walks in it will be dark, which will make them nervous, but the fabrics will get lighter as they walk through, guided by a ballet bar that the participant will grab onto which will lead that leads them through the hallway. The first half of the ballet bar will be covered in sandpaper that gets progressively more fine as they walk through up until the point in which the visitor reaches the open area where the displayed costume is being shown. Here, the sandpaper is at its smoothest, and when you exit the open area, the ballet bar will go back to normal. The design of the ballet bar is meant to show how her blindness and reliance on touch is lifted when she dances. In most museums, the pieces are displayed traditionally with the piece in the middle, and text explaining it on the side. In this exhibition, the visitor gets a better understanding of the project through an interactive display. The exhibition expands awareness into the community of the value of supporting this kind of effort and increases compassion for people with disabilities




Smoking Monster

Maddie Block and Tiandra Ray

Our hack is one that goes on top of a cigarette dispenser that without a top. We decided to make this since we noticed many people were smoking, and throwing their cigarettes on the sidewalk rather than disposing them. The goal was to do something benifiting both the enviroment and the smokers health. The top represents the face a of a monster with a speaker for an eye, and an open slot for the mouth. When someone is outside smoking and wants to dispose of their cigarrette, they can drop it in the monster's mouth. Inside the monster, there is a laser pointer that shines onto a mirror and onto a light sensor. Once the cigarette falls it brakes the beam, resulting in the monster making a coughing noise. The decision to have the monster cough was made so that we could portray the message that smoking is unhealthy. 

Eat Ugly Cambridge

Kenzie Morris

Kenzie:
Eat Ugly is a campaign modeled on the body positivity campaign. This campaign aims to reduce food waste by raising awareness of all the produce thrown away for aesthetic reasons: 50% before it reaches stores. Eat Ugly challenges the idea of normative standards of beauty for food and humans. The hope is to change the societal pattern of picking fruits based on aesthetics. Eat Ugly's main goal is to encourage people to recognize that "ugly" produce still tastes good. Eat Ugly Campaign targets consumers with stickers and posters because once companies know that people will buy "ugly" produce, companies will buy it from farmers and stop wasting this produce. 

During open innovation, Eat Ugly has developed a cart that visits farmers markets in the Boston area. This cart is an interactive way to reach the community and further our social campaign. There was a lot of positive feedback from locals in the cambridge area about Eat Ugly, so the goal is to expand and spread awareness to places around Boston.With its vibrant, recognizable logos and posters, Eat Ugly strives to inspire self-reflection in the food industry and in consumers, in the hope of changing people's habits and ideas, so that they learn to value taste and nutrition above appearance in food. The cart also gives out samples of ugly fruit so that consumers will realize that it tastes the same. The cart conveys ugly fruit and personifies it with a runway for ugly fruit to go on. The hope is that consumers will see the cart and engage and take photos. 

Dina:
Eat Ugly Cambridge tackles the enormous amount of perfectly tasty produce that is thrown away each year based on superficial abnormalities. The campaign engages locals through social media and appearances at farmers markets. The members of Eat Ugly take a booth to market that is specially designed to be brought on the subway. This booth consists of three wooden crates that are used for storage during transport and then stacked and tied together at the market. A detachable table-top is then fastened into place. A canvas tablecloth decorated with the campaign logo, the words “Eat Ugly” in a watercolor-inspired type, and friendly fruit and vegetables is laid on the table. Several items are set out to catch the market patrons’ eyes, including quarter-page flyers and Eat Ugly stickers. The main attraction is a runway designed for fruit, complete with LED “stage lights” and a glittering gold curtain. When people visit the booth, they are invited to take a picture of their ugly market-purchased produce on the runway and post it on social media using our hashtag. Additionally, customers can sample slices of fresh fruit. The hidden twist: the fruit they are tasting is ugly! The purpose of the setup is to introduce as many people as possible to the positive environmental impact of eating ugly.

Lauren:
A social campaign aimed to eliminate food waste by embracing produce of all shapes and sizes and eating misshapen produce.

Almost 50% of produce is thrown away before reaching the food markets because of blemishes or being misshapen. For example, two apples that have grown and morphed into one apple is considered an ugly fruit. Many distributors would discard it, believing that it would not sell. Consumers are less likely to buy a weird-looking carrot because they fear that it might be "defective" or rotten.

Eat Ugly Cambridge is a movement that hopes to dispel this misconception by targeting consumers through handing out stickers, posting fliers, and bringing an interactive and educational cart to the local farmers' markets throughout Boston. An important component of the cart is a fashion runway, similar to those in beauty pageants, that is designed to glorify and promote "produce body positivity". Consumers can place their ugly produce on the runway and take pictures of it as a proud shoutout to the beauty of ugly produce. Taste tests will be conducted to demonstrate that no matter the shape, all produce still taste the same. The public will be offered slices of ugly fruit to promote the fact that despite its grotesque appearance, it's still safe to consume and tastes good. This campaign hopes to impact society's view on ugly produce. By inspiring consumers to be more inclusive and less picky about the appearance of their produce, suppliers will no longer have to throw away pounds and pounds of tasty, nutritious produce.